Saetia
Some Natures Catch No Plagues

I

I smiled that kind of icy blue smile of a noonday reckoning,
the tied together two of tell-tale pictures.
I've sketched in sand castle plots and plans.
Similar starting points, both for sin and shooting blanks.
But it's always the unseen sharp pang;
the awkward rhythm of the dance,
like a tick-tock clock in that heart of hearts repeating,
"there is no happy here, there is no happy here..."
Devil may care touches trickle down spine, thigh, and breast
may never truly illuminate the finer art of heartwork.

II
I was turning over with the sheets, and facing the
arched back thinking of how my eyes, half-opened,
caught her arm moving from side to side, but never to me.
It's all connected by blank words to tell empty
promises of clumsy miscommunication.
So we say what we will, to see what we may,
To find a Biblical knowing enfolded within the next few hours.

It's too bad, too tragic...
I spent myself choking on the motions
leading up to said misfortune.


Mirror lyrics:

leading up to said misfortune.
I spent myself choking on the motions
It's too bad, too tragic...

To find a Biblical knowing enfolded within the next few hours.
So we say what we will, to see what we may,
promises of clumsy miscommunication.
It's all connected by blank words to tell empty
caught her arm moving from side to side, but never to me.
arched back thinking of how my eyes, half-opened,
I was turning over with the sheets, and facing the
II

may never truly illuminate the finer art of heartwork.
Devil may care touches trickle down spine, thigh, and breast
"there is no happy here, there is no happy here..."
like a tick-tock clock in that heart of hearts repeating,
the awkward rhythm of the dance,
But it's always the unseen sharp pang;
Similar starting points, both for sin and shooting blanks.
I've sketched in sand castle plots and plans.
the tied together two of tell-tale pictures.
I smiled that kind of icy blue smile of a noonday reckoning,

I


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