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Listen, regarding you music and your playing, can you give me a little
background on when you started and how you started and how this
happened and so forth? [spoken words – Moses Asch]
Well, in the first place, the whole entire family was musicians. And I
started playing when I was fourteen years old. My father played music.
My mother played music. My five brothers played music, and I had two
sisters played music. And I just bought an instrument and, and in ah six
months I was holding a good job. I ‘s playin' with my father's band – he
had a string band. And we played for weddings, and different things like
that. It was nothing like now, you know? Those days wasn't like now, not
then. And we just played for weddings, and dances, and, and ah, private
parties, things like that, dinners, and … well …
When did you start recording? [spoken words – Moses Asch]
I started recording 1920 ... for Okeh Record Company. I started
recording for them in 1920 and I stayed with … I won a contest with
them … I had been … I had been on this contest for eighteen weeks … I
won first every Thursday night. ‘Cause it's something, it's hard to play
violin and sing at the same time. And I was doing that. And I was doing
a very good job. And I got … a five-year contract from them. And I
played violin and sing, and my brother played piano for me. And I made
a so many beautiful records for them. And so after the contract give out,
and I went back to the steel mill, and started to working again … ‘cause I
didn't know the nightclub work and I didn't take any chance. So [I] went
back to the steel mill in East St. Louis, and worked there five years. I
started as a sand cutter and end up as a molder. I was molding these big
boxcar wheels you see on the track, that's what I was molding. And I
worked there for a long time, and I left there and I went to … they had a
job open at the tie plant. You know, a creosote plant where they make
ah railroad ties. So I went … I, I went up there and went to work, and ah,
I didn't work there very long – I worked there six months because ah, the
work was too heavy. I was tired of weighing from 150 pounds to 200
pounds only, only two men had to carry them. And they come out of that
creosote boiling hot. And you had those leather coats on. You put ‘em on
your shoulder. And you load sixteen, seventeen hundred ties into a boxcar.
An' I got tired of that. So I left from there and went to Peoria, Illinois.
Got a job in a nightclub, playing music again, and I played there three
years in a nightclub, and the club … closed down, ah, and I … went to the
foundry, only four blocks from the club and got a job doing the same kind
of work I was in East St. Louis. So I worked there seven years.
When was this? [spoken words – Moses Asch]
Hmmmm? Oh, that was way back in the 20s … 28, way back in there.
And then I, then I worked there for a long time and then I got another
easy job workin' at the golf club … takin' care of the lawns, you know?
I had a good job, worked out there a long time. Then when I left from
there, come back to St. Louis and I started playing for Charlie Chreathe's
band … and playin' all the, all the ah, all the… all the ah… I played every
excursion boat out there for five years. I ‘s workin' with Charlie Chreathe's
band, that's what they called him, Charlie Chreathe's, his, his name was
Chreathe. So I, I ah played violin for his band … for five years. And then
his band broke up. And then I left from there and went … where'd I, then
I come here to Chicago. And ah, I worked in Chicago … with Louis' band,
I worked with Louis Armstrong's band way back in the 20s. I worked there
with him plum until he went out on the road by hi'self … and it cut me out
again. And then I started working in vaudeville, see? I worked everything
in, ah on the key circuit ‘s to be worked. They kept me on ‘leven years.
I worked everything on this side and everything overseas.
Playing violin overseas? [spoken words – Moses Asch]
No, I ‘s playin' guitar then and singin'… [spoken words – Lonnie Johnson]
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No, I ‘s playin' guitar then and singin'… [spoken words – Lonnie Johnson]
Playing violin overseas? [spoken words – Moses Asch]
I worked everything on this side and everything overseas.
in, ah on the key circuit ‘s to be worked. They kept me on ‘leven years.
again. And then I started working in vaudeville, see? I worked everything
with him plum until he went out on the road by hi'self … and it cut me out
I worked with Louis Armstrong's band way back in the 20s. I worked there
I come here to Chicago. And ah, I worked in Chicago … with Louis' band,
his band broke up. And then I left from there and went … where'd I, then
Chreathe. So I, I ah played violin for his band … for five years. And then
band, that's what they called him, Charlie Chreathe's, his, his name was
excursion boat out there for five years. I ‘s workin' with Charlie Chreathe's
band … and playin' all the, all the ah, all the… all the ah… I played every
there, come back to St. Louis and I started playing for Charlie Chreathe's
I had a good job, worked out there a long time. Then when I left from
easy job workin' at the golf club … takin' care of the lawns, you know?
And then I, then I worked there for a long time and then I got another
Hmmmm? Oh, that was way back in the 20s … 28, way back in there.
When was this? [spoken words – Moses Asch]
of work I was in East St. Louis. So I worked there seven years.
foundry, only four blocks from the club and got a job doing the same kind
years in a nightclub, and the club … closed down, ah, and I … went to the
Got a job in a nightclub, playing music again, and I played there three
An' I got tired of that. So I left from there and went to Peoria, Illinois.
your shoulder. And you load sixteen, seventeen hundred ties into a boxcar.
creosote boiling hot. And you had those leather coats on. You put ‘em on
pounds only, only two men had to carry them. And they come out of that
work was too heavy. I was tired of weighing from 150 pounds to 200
I didn't work there very long – I worked there six months because ah, the
ah railroad ties. So I went … I, I went up there and went to work, and ah,
job open at the tie plant. You know, a creosote plant where they make
worked there for a long time, and I left there and I went to … they had a
boxcar wheels you see on the track, that's what I was molding. And I
started as a sand cutter and end up as a molder. I was molding these big
back to the steel mill in East St. Louis, and worked there five years. I
didn't know the nightclub work and I didn't take any chance. So [I] went
and I went back to the steel mill, and started to working again … ‘cause I
a so many beautiful records for them. And so after the contract give out,
played violin and sing, and my brother played piano for me. And I made
a very good job. And I got … a five-year contract from them. And I
violin and sing at the same time. And I was doing that. And I was doing
won first every Thursday night. ‘Cause it's something, it's hard to play
them … I had been … I had been on this contest for eighteen weeks … I
recording for them in 1920 and I stayed with … I won a contest with
I started recording 1920 ... for Okeh Record Company. I started
When did you start recording? [spoken words – Moses Asch]
parties, things like that, dinners, and … well …
then. And we just played for weddings, and dances, and, and ah, private
that. It was nothing like now, you know? Those days wasn't like now, not
had a string band. And we played for weddings, and different things like
months I was holding a good job. I ‘s playin' with my father's band – he
sisters played music. And I just bought an instrument and, and in ah six
My mother played music. My five brothers played music, and I had two
started playing when I was fourteen years old. My father played music.
Well, in the first place, the whole entire family was musicians. And I
happened and so forth? [spoken words – Moses Asch]
background on when you started and how you started and how this
Listen, regarding you music and your playing, can you give me a little
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